Jason Aaron Wood

52 minutes, with a 17 minute break. Seriously.Sources:https://www.theatlantic.com/business/archive/2014/09/science-tells-you-how-many-minutes-should-you-take-a-break-for-work-17/380369/https://www.themuse.com/advice/the-rule-of-52-and-17-its-random-but-it-ups-your-productivityHowever, with something like guitar playing, which is at least partially FUN, I feel there's room for us to round 52 up or

Wouldn't it suck to work really hard to gain something, just to lose it again?Yeah? Well, then don't. :)What you gain when you practice consistently is the all-important element of

This lesson will help you really unlock the true magic of sequences: literally INFINITE melodies from a single pattern.Of course, in order to do that, first you'll need to know some

These 3 techniques (Bending, Vibrato, and Sliding) are at the heart of how you exude grace, control, and emotionality in your playing, and in this lesson I'm going to walk

If there are drums and other instruments already playing on Beat 1, YOU don't necessarily need to play on it too, because that beat is already defined for the listener.

If you find yourself constantly getting tripped up when going between different strings, especially when string-skipping, in this video I'm going to reveal a simple but powerful mental trick you

For this workout, you should use the 4/4 Sixteenths (Double-Bass Practice Beats) in your Guitar Practice Tools account. (It's the default beat that's loaded when you go to the Beats page.)

While most guitarists would approach these 3 techniques separately, they really are the 3 "delivery methods" of how you can impact your listener with any given melody — which is

The key to being "good at" anything is ultimately FAMILIARITY.

The Zig-Zag sequence is extremely useful for getting the maximum "mileage" out of the notes on each string, allowing you to stay on one string longer and reach the highest